EGIL

A SOLO ROLEPLAYING GAME OF BRUTAL VIKING POETRY

“Start your timer, play atmospheric Viking music and sit down on your chair. Grab your QUILL and RUNESTONES, and close your eyes. Breathe. Relax. Allow full immersion and whisper to yourself “I am Egil, I am Egil”. Whenever you are ready, open your eyes.

You are EGIL!”

EGIL was originally written for Rollespill.infos R.I.S.K.-competition, and has been made available in English for Nørwegian Style’s readers by the creators:

Karl Otto Kristoffersen – karlokri (att) hotmail.com
Christopher Rakkestad – chrismentzen.3d (att) gmail.com

Skjermbilde 2019-08-07 kl. 20.33.37

 

The Secret Room

A ritual to build a secret room in our mind’s eye.

For five, including you.

You, having read this, will lead the ritual. It is your responsibility to be the guide. Read this text a couple of times before you begin.

You need a candle. Perhaps some incense and music.

We always build secret rooms when we play roleplaying games. The intent of this ritual is to become more aware of how we conjure such illusions. How can we simultaneously experience something which doesn’t exist?

You are all seated around a table. You explain:

Together, we will envision a room. It’s a secret room inside ourselves. But we can all see it. We see the room with our eyes closed. We listen to each other, without interrupting the other participants.

If you happen to interrupt someone, it’s ok. We will pause briefly, before continuing. (You may have to remind the participants of this rule as you go).

The other rule is listening to what others add, being willing to let the inner vision change as we speak.

Everyone can describe anything in the room, but each player has a special domain (point at participants, or distribute notes with the words on): SOUNDS, SMELLS, COLORS, TOUCH.

Now close your eyes. We will rehearse listening to each other by counting downwards from ten to zero. Someone says “ten”, someone else says “nine”, someone says “eight”. If anyone speaks at the same time, we’ll start over. When we have counted from ten to zero without interruptions, we begin. Then we’ll be in the Secret Room. You answer my questions, and add your own details about the room.

(You light the candle).

(You count down from ten to zero).

Examples of things you can say and questions you can ask. Remember to pause.

(It’s good to wait awhile before saying anything. It’s good if one of the others start on their own accord).

We’re in the Secret Room. (breathe)

What sounds are there? (wait)

What does it smell like? (wait)

Is it light, or dark? (wait)

What objects are there? (wait)

(wait, don’t speak)

Can you see them? (wait)

Why is the room secret? (wait)

What has happened here in the past? (wait)

Are there still traces? (wait)

(breathe, don’t speak)

Something hangs on one of the walls, what is it? (wait)

What colors does it have? (wait)

Who is in the room? (wait)

Why is the room secret? (wait. You may start knocking slowly on the table while repeating the question)

Tips:

  • Take your time. You can let a whole minute pass without speaking.
  • Support initiatives.
  • It’s preferable to let the participants take the lead. It’s great if they start describing without your prompts.
  • Several statements in a row may be spoken without you saying anything. This is good.
  • If necessary, you can remind the others not to interrupt each other.
  • Breathe slowly.
  • Speak softly, but clearly.
  • Relax. Take your time.
  • Listen carefully to what’s being said. You’ll sometimes want to tie statements together.
  • You may also keep your eyes closed.
  • Ask follow-up questions. It’s better if another participant answers the follow-up.
  • Build on what has been said. Bring it back to the conversation.
  • Remind the participants that discussions are unwanted.
  • Remind them to listen to each other, not interrupting.
  • The ritual is over when it feels right. You will know.
  • (Breathe)

0. Get a tarot deck

  1. Draw one card to inspire the setting. Take turns narrating detail, build on what is said. The setting card will remain face up on the table. During play, it’s also used for pacing. A player may place a marker on the card at any time. The third time means the game is over and it’s time to wrap up.
  2. Every player draws a character card, placing it face up in front of them. Take turns introducing your characters, in light of the setting card stories. Go with your gut; what does the card say?
  3. Take turns dealing three cards, face down. The Dealer uses the first card to establish how the scene begins, and who is present. She decides when it’s time to turn the next two. The second card represent a twist. The third the scene ending. Other players play their characters, narrate details and ask questions. The Dealer has final say, and a special responsibility for the scene. If the third setting card marker is placed during your scene, you help wrap up the game. The scene ending card may be used for inspiration.

(Ask questions, ask for ideas, reincorporate concepts, play secondary characters).

Playtesters: Magnus J, Mikael T, Ola L. Thanks: Astrid, Banana C. Originally posted to the 200 Word Challenge 2017.